The inherent paradox of Egyptology is that the objective of its study -
people living in Egypt in Pharaonic times - are never the direct object
of its studies. Egyptology, as well as archaeology in general, approach
ancient lives through material (and sometimes immaterial) remains. This
Element explores how, through the interplay of things and people - of
non-human actants and human actors - Pharaonic material culture is
shaped. In turn, it asks how, through this interplay, Pharaonic culture
as an epistemic entity is created: an epistemic entity which conserves
and transmits even the lives and deaths of ancient people. Drawing upon
aspects of Actor Network Theory, this Element introduces an approach to
see technique as the interaction of people and things, and technology as
the reflection of these networks of entanglement.