The Record of the Dharma-Jewel Through the Generations (Lidai fabao
ji) is a little-known Chan/Zen Buddhist text of the eighth century,
rediscovered in 1900 at the Silk Road oasis of Dunhuang. The only
remaining artifact of the Bao Tang Chan school of Sichuan, the text
provides a fascinating sectarian history of Chinese Buddhism intended to
showcase the iconoclastic teachings of Bao Tang founder Chan Master
Wuzhu (714-774). Wendi Adamek not only brings Master Wuzhu's
experimental community to life but also situates his paradigm-shifting
teachings within the history of Buddhist thought. Having published the
first translation of the Lidai fabao ji in a Western language, she
revises and presents it here for wide readership.
Written by disciples of Master Wuzhu, the Lidai fabao ji is one of the
earliest attempts to implement a "religion of no-religion," doing away
with ritual and devotionalism in favor of "formless practice." Master
Wuzhu also challenged the distinctions between lay and ordained
worshippers and male and female practitioners. The Lidai fabao ji
captures his radical teachings through his reinterpretation of the
Chinese practices of merit, repentance, precepts, and Dharma
transmission. These aspects of traditional Buddhism continue to be
topics of debate in contemporary practice groups, making the Lidai
fabao ji a vital document of the struggles, compromises, and insights
of an earlier era. Adamek's volume opens with a vivid introduction
animating Master Wuzhu's cultural environment and comparing his
teachings to other Buddhist and historical sources.