Environmental writing is an increasingly popular literary genre, and a
multifaceted genre at that. Recently dominated by works of 'new nature
writing', environmental writing includes works of poetry and fiction
about the world around us. In the last two decades, universities have
begun to offer environmental writing modules and courses with the
intention of teaching students skills in the field of writing inspired
by the natural world. This book asks how students are being guided into
writing about environments. Informed by independently conducted
interviews with educators, and a review of existing pedagogical guides,
it explores recurring instructions given to students for writing about
the environment and compares these pedagogical approaches to the current
theory and practice of ecocriticism by scholars such as Ursula Heise and
Timothy Morton. Proposing a set of original pedagogical exercises
influenced by ecocriticism, the book draws on a number of
self-reflexive, environmentally-conscious poets, including Juliana
Spahr, Jorie Graham and Les Murray, as creative and stimulating models
for teachers and students.