Taste and Experience in Eighteenth Century Aesthetics acknowledges
theories of taste, beauty, the fine arts, genius, expression, the
sublime and the picturesque in their own right, distinct from later
theories of an exclusively aesthetic kind of experience. By drawing on a
wealth of thinkers, including several marginalised philosophers, Dabney
Townsend presents a novel reading of the century to challenge our
understanding of art and move towards a unique way of thinking about
aesthetics.
Speaking of a proto-aesthetic, Townsend surveys theories of taste and
beauty arising from the empiricist shift in philosophy. A
proto-aesthetic was shaped by the philosophers who followed Locke and
accepted that theories of taste and beauty must be products of
experience alone. Francis Hutcheson, David Hume, Alexander Gerard and
Thomas Reid were among the most important advocates, joined by others
who re-thought traditional topics.
Featuring chapters tracing its philosophical principles, issues raised
by the subjectivity of the empiricist approach and the more academic
proto-aesthetic formed toward the end of the century, Townsend argues
that Lockean empiricism laid the foundations for what we now call
aesthetics.