For over two decades, German photographer Thomas Kellner (b.1966) has
explored the pictorial possibilities of the contact sheet, drawing
particular inspiration from cityscapes, architecture and landscapes. In
his new series called Tango Metropolis, he focuses his camera on the
world's most famous monuments. These iconic buildings are well-known,
but his deconstructed, fractured images invite the viewer to discover
them anew. Rolf Sachsse, a photographer, author, and curator, has
contributed an essay for this book that links Kellner's work to both
mannerism and cubism.