Biographical writing about Eliot is in a more confused and contested
state than is the case with any other major twentieth-century writer. No
major biography has been released since the publication of his early
poems, Inventions of the March Hare, in 1996, which radically altered
the reading public's perception of Eliot. There have been attempts to
turn the American woman Emily Hale into the beloved woman of Eliot's
middle years; and Eliot has also been blamed for the instability of his
first wife and declared a closet homosexual. This biography frees Eliot
from such distortions, as well as from his cold and unemotional image.
It offers a sympathetic study of his first marriage which does not
attempt to blame, but to understand; it shows how Eliot's poetry can be
read for its revelations about his inner world. Eliot once wrote that
every poem was an epitaph, meaning that it was the inscription on the
tombstone of the experience which it commemorated. His poetry shows,
however, that the deepest experiences of his life would not lie down and
die, and that he felt condemned to write about them.John Worthen is the
acclaimed author of D. H. Lawrence: The Life of an Outsider.