Taking literally Joanna Baillie's claim that drama can promote social
justice, the study explores how plays by Baillie, novels by Walter
Scott, and Imaginary Conversations by Walter Savage Landor address
problems of capital punishment, poverty, and political participation.
Baillie's and Scott's preoccupation with affective responses to
criminals and beggars takes on new significance when situated next to
nationalist efforts to use legal differences to promulgate an image of
Scotland as a more compassionate society than England and when
contrasted with Landor's confidence in political claims-making to meet
social needs. The study enlists analogies between the 'symbolic
interaction' prompted by the selected writers and the concepts of
'symbolic interaction' still evolving from the sociology of Jane Addams,
George Herbert Mead, and subsequent practitioners to recover a belief in
the social efficacy of literature that was accepted during the
pre-disciplinary Romantic era but contested throughout much of the
twentieth century. The study advocates the renewal of literary
interventionism in our post-disciplinary age.