Sweet Air rewrites the history of early twentieth-century pop music in
modernist terms. Tracking the evolution of popular regional genres such
as blues, country, folk, and rockabilly in relation to the growth of
industry and consumer culture, Edward P. Comentale shows how this music
became a vital means of exploring the new and often overwhelming
feelings brought on by modern life. Comentale examines these rural
genres as they translated the traumas of local experience--the racial
violence of the Delta, the mass exodus from the South, the Dust Bowl of
the Texas panhandle--into sonic form. Considering the accessibility of
these popular music forms, he asserts the value of music as a source of
progressive cultural investment, linking poor, rural performers and
audiences to an increasingly vast network of commerce, transportation,
and technology.