In 1967 the world of Milton studies was divided into two armed camps,
one proclaiming that Milton was of the devil's party, the other
proclaiming that the poet's sympathies are obviously with God and the
angels loyal to him. The achievement of Stanley Fish's Surprised by Sin
was to reconcile the two camps by subsuming their claims in a single
overarching thesis: Paradise Lost is a poem about how its readers came
to be the way they are and therefore the fact of their divided responses
makes perfect sense. Thirty years later the issues raised in Surprised
by Sin continue to set the agenda and drive debate.