Ethereal illustrations expand on a New York Times series by an
acclaimed author and artist
Sunday Night Movies features Leanne Shapton's watercolors of resonant
moments in black-and-white cinema. Selecting a brief fragment of each
chosen film, she creates an indelible image that is both a hand-painted
movie still and a personal response to a fleeting celluloid moment.
Together, the seventy-eight paintings create a valentine to the world of
cinema. Shapton's journey through film history becomes a wistful
celebration of the subtle moments in stories, which can often slip by
unnoticed. What could be a simple title, still life, or portrait of an
actor becomes both illusive and allusive through the medium of these
personal paintings.
Shapton's bestselling Petit Livre book The Native Trees of Canada took
a decades-old government catalogue and reimagined it, employing bold
colors and stark shapes to represent familiar trees in their majestic
glory. The book was a sleeper hit and went through multiple printings.
With Sunday Night Movies she brings her love of film to light, and the
effect is restrained and fanciful, familiar and all new.