The second in Nathalie Léger's acclaimed genre-defying triptych of
books about the struggles and obsessions of women artists.
"I believe there is a miracle in Wanda," wrote Marguerite Duras of the
only film American actress Barbara Loden ever wrote and directed.
"Usually, there is a distance between representation and text, subject
and action. Here that distance is completely eradicated." It is perhaps
this "miracle"--the seeming collapse of fiction and fact--that has made
Wanda (1970) a cult classic, and a fascination of artists from
Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed
French writer Nathalie Léger, the mysteries of Wanda launched an
obsessive quest across continents, into archives, and through mining
towns of Pennsylvania, all to get closer to the film and its maker.
Suite for Barbara Loden is the magnificent result.