This book deals with film adaptations of literary works created in
Communist Czechoslovakia between 1954 and 1969, such as The Fabulous
World of Jules Verne (Zeman 1958), Marketa Lazarová (Vláčil 1967),
and The Joke (Jires 1969). Bubeníček treats a historically significant
period around which myths and misinformation have arisen. The book is
broad in scope and examines aesthetic, political, social, and cultural
issues. It sets out to disprove the notion that the state-controlled
film industry behind the Iron Curtain produced only aesthetically
uniform works pandering to official ideology. Bubeníček's main aim is to
show how the political situation of Communist Czechoslovakia moulded the
film adaptations created there, but also how these same works, in turn,
shaped the sociocultural conditions of the 1950s and the 1960s.