Digital technologies are engines of cultural innovation, from the
virtualization of group networks and social identities to the digital
convergence of textural and audio-visual media. User-centered content
production, from Wikipedia and YouTube to Open Source, has become the
emblem of this transformation, but the changes run deeper and wider than
these novel organizational forms.
Digital culture is also about the transformation of what it means to be
a creator within a vast and growing reservoir of media, data,
computational power, and communicative possibilities. We have few tools
and models for understanding the power of databases, network
representations, filtering techniques, digital rights management, and
other new architectures of agency and control. We have even fewer
accounts of how these new capacities have transformed our shared
cultures and our understanding of and capacities to act within them.
This volume addresses these issues and supplies the demand for a
comprehensive critical framework that places these developments in
context.