Stranger in the Mask of a Deer conjures an elemental, dreamlike
narrative ranging from the present to the Late-Upper Palaeolithic, when
the British peninsula was gradually reoccupied by humans and animals
returning from the greater continent after the Ice Age.
Richard Skelton began this book-length poem many years ago with the
intention of exploring the history of Britain's landscape, only for the
text to transform into a kind of literary seance, involving both human
and other-than-human voices. Its transforming power lies in the
accumulative magic of the word as ritual. Skelton's is a mesmeric lyric,
probing the edges of consciousness towards a place where 'there are
always presences / always inherences / things beyond sight.'
'An incredibly moving, essential meditation on where we have come from,
where we are, and where we are headed.'
Kerri ní Dochartaigh