Now in his seventies, the award-winning poet looks back on what was
and accepts what is, in a deeply moving and beautiful sequence about
what sustains him
Beginning with My Friends Don't Get Buried, the lament of a delinquent
mourner as his friends have begun to die, and ending with the plaintive
note to self don't write elegies/anymore, Edward Hirsch takes us
backward through the decades in these memory poems of startling
immediacy.
He recalls the black dress a lover wore when he couldn't yet know the
tragedy of her burning spirit; the radiance of an autumn day in Detroit
when his students smoked outside, passionately discussing Shelley; the
day he got off late from a railyard shift and missed an antiwar
demonstration. There are direct and indirect elegies to lost
contemporaries like Mark Strand, William Meredith, and, most especially,
his longtime compatriot Philip Levine, whom he honors in several poems
about daily work in the late mid-century Midwest.
As the poet ages and begins to lose his peripheral vision, the world is
stranger by night, but these elegant, heart-stirring poems shed light on
a lifetime that inevitably contains both sorrow and joy.