The author of Tristram Shandy made frequent use of literary fragments
from other writers, as part of his own style. Laurence Sterne's
quotations, plagiarisms and allusions were often employed in the service
of the pleonasm, or 'performed pun'. Jonathan Lamb describes Sterne's
operation of the pleonasm as his 'double principle'. He sees this style
not as the key to some clever puzzle whose clues we go on solving in the
hope of total disclosure of meaning (as some critics have claimed);
rather the opposite, that it is a consoling reminder that neither we nor
the text can ever be complete. Lamb severs Sterne from the Locke
tradition and frees him from the 'influence' oriented studies which have
aimed to authenticate him through his borrowings. This allows us to read
him as a writer eagerly exploring the turns and paradoxes of
associationist thought and adapting the rhetoric of the sublime to the
stutterings of ordinary speech.