The articles published in this volume aim to contribute to the art
historical debates on the role of visual culture within medieval rituals
and how the latter were experienced bodily. The studies focus on the
essential importance of movement within medieval religious practice and
its impact on production, conception, perception, and use of artistic
objects and architecture in the Middle Ages. At their core is the moving
body, individual or collective, which enters into dialogue with the
surrounding architectural or urban space, artefacts, and images, thus
awakening their sacred potential with each and every step. Shifting
attention to the movement of the worshipers and the objects themselves,
this book wishes to instigate further discussion on various medieval
visual cultures.