This is a bold and wide-ranging account of the unique German public
theatre system through the prism of a migrant artistic institution in
the western post-industrial Ruhr region. State of the Arts analyses how
artistic traditions have responded to social change, racism, and
cosmopolitan anxieties and recounts how critical contemporary cultural
production positions itself in relation to the tumultuous history of
German state patronage, difficult heritage, and self-cultivation through
the arts. Jonas Tinius' fieldwork with professional actors, directors,
cultural policy makers, and activists unravels how they constitute
theatre as a site for extra-ordinary ethical conduct and how they
grapple with the pervasive German cultural tradition of Bildung, or
self-cultivation through the arts. Tinius shows how anthropological
methods provide a way to understand the entanglement of cultural policy,
institution-building, and subject-formation. An ambitious and
interdisciplinary study, the work demonstrates the crucial role of
artistic intellectuals in society.