From Shamu the dancing whale at Sea World to Hawaiian lu'au shows,
Staging Tourism analyzes issues of performance in a wide range of
tourist venues. Jane C. Desmond argues that the public display of
bodies--how they look, what they do, where they do it, who watches, and
under what conditions--is profoundly important in structuring identity
categories of race, gender, and cultural affiliation. These fantastic
spectacles of corporeality form the basis of hugely profitable tourist
industries, which in turn form crucial arenas of public culture where
embodied notions of identity are sold, enacted, and debated.
Gathering together written accounts, postcards, photographs,
advertisements, films, and oral histories as well as her own
interpretations of these displays, Desmond gives us a vibrant account of
U.S. tourism in Waikiki from 1900 to the present. She then juxtaposes
cultural tourism with animal tourism in the United States, which takes
place at zoos, aquariums, and animal theme parks. In each case, Desmond
argues, the relationship between the viewer and the viewed is ultimately
based on concepts of physical difference harking back to the nineteenth
century.