This book looks at the staging and performance of normality in early
modern drama. Analysing conventions and rules, habitual practices,
common things and objects, and mundane sights and experiences, this
volume foregrounds a staged normality that has been heretofore unseen,
ignored, or taken for granted. It draws together leading and emerging
scholars of early modern theatre and culture to debate the meaning of
normality in an early modern context and to discuss how it might
transfer to the stage. In doing so, these original critical essays
unsettle and challenge scholarly assumptions about how normality is
represented in the performance space. The volume, which responds to
studies of the everyday and the material turn in cultural history, as
well as to broader philosophical engagements with the idea of normality
and its opposites, brings to light the essential role that normality
plays in the composition and performance of early modern drama.