Great American writers--William Carlos Williams, Jonathan Edwards, Emily
Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James--all
in the physicality of their archival manuscripts (reproduced in
beautiful facsimiles here)--are the presiding spirits of Spontaneous
Particulars: Telepathy of Archives. Also woven into Susan Howe's long
essay are beautiful photographs of embroideries and textiles from
anonymous craftspeople. All the archived materials are links,
discoveries, chance encounters, the visual and acoustic shocks of
rooting around amid physical archives. These are the telepathies the
bibliomaniacal poet relishes. Rummaging in the archives she finds "a
deposit of a future yet to come, gathered and guarded...a literal and
mythical sense of life hereafter--you permit yourself liberties--in the
first place--happiness." Digital scholarship may offer much for
scholars, but Susan Howe loves the materiality of research in real
archives and Spontaneous Particulars "is a collaged swan song to the
old ways."