By blinking his eyes and moving his pupils, a paraplegic man--the
onetime vocalist in a famous rock band--composes a kind of
anti-biography that is corrected and expanded upon by an unknown editor.
Alternating between the vocalist's impressionistic recollections and the
editor's "corrections," an asynchronous story emerges, evoking the
vocalist's childhood in southern Chile and telling of the rise and fall
of the band that he grew up to lead, while hinting at a multiplicity of
other narrative possibilities.