Scholars of Edmund Spenser have focused much more on his accomplishments
in epic and pastoral than his work in satire. Scholars of early modern
English satire almost never discuss Spenser. However, these critical
gaps stem from later developments in the canon rather than any
insignificance in Spenser's accomplishments and influence on satiric
poetry. This book argues that the indirect form of satire developed by
Spenser served during and after Spenser's lifetime as an important model
for other poets who wished to convey satirical messages with some degree
of safety. The book connects key Spenserian texts in The Shepheardes
Calender and the Complaints volume with poems by a range of authors in
the late sixteenth and early seventeenth centuries, including Joseph
Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither,
to advance the thesis that Spenser was seen by his contemporaries as
highly relevant to satire in Elizabethan England.