Edmund Spenser famously conceded to his friend Walter Raleigh that his
method in The Faerie Queene 'will seeme displeasaunt' to those who would
'rather have good discipline delivered plainly in way of precepts, or
sermoned at large'. Spenser's allegory and Elizabethan biblical exegesis
is the first book-length study to clarify Spenser's comparison by
introducing readers to the biblical typologies of contemporary sermons
and liturgies. The result demonstrates that 'precepts . . . sermoned at
large' from lecterns and pulpits were themselves often 'clowdily
enwrapped in allegoricall devises'. In effect, routine churchgoing
prepared Spenser's first readers to enjoy and interpret The Faerie
Queene. A wealth of relevant quotations invites readers to adopt an
Elizabethan mindset and encounter the poem afresh. The 'chronicle
history' cantos, Florimell's adventures, the Souldan episode, Mercilla's
judgment on Duessa and even the two stanzas that close the Mutabilitie
fragment, all come
into sharper focus when juxtaposed with contemporary religious
rhetoric.