This interdisciplinary collection explores the dynamic relationship
between literature and architecture from the mid-nineteenth century to
the present. Contributions take the reader on a journey through
unexplored byways, from Istanbul to New York to London, from event
spaces to domestic interiors to the fictional buildings of the novel.
Topics include the building of imaginary spaces, such as the
architectural models of comic book worlds created by the cartoonist Seth
and the Museum of Innocence by Orhan Pamuk, which is both novel and
building. Real architectural spaces are recontextualized through
literature: reading the work of Louis Kahn through his personal library
and envisioning the writing haven of James Baldwin through his novels.
Another approach links literary style with architectural form, as in the
work of the New York School poets, who reformulate the built environment
on the page. Architectural landmarks like Robert Stevenson's Roundhouse
(1847), Joseph Paxton's Crystal Palace for the Great Exhibition and the
2012 Olympic Park are reconsidered as counter-narratives of
postcolonialism and empire, and the New York skyline is examined
alongside literature and visual culture.
This collection demonstrates the reciprocal exchange that exists between
the disciplines of literature and architecture and promotes new ways of
understanding these interactions.