Over the past 25 years, Icelandic music has been gaining considerable
international attention. This is attested to by the international
success of such acts as the Sugarcubes, and then Björk as a solo artist,
followed by the worldwide success of Sigur Rós, and more recently Of
Monsters and Men. And these artists reveal themselves to be 'the tip of
the iceberg', once one delves further into the music of Iceland and the
myriad of genres that thrive there. That such a small country can
produce so much music of quality, value and acclaim is a fascinating
situation that has boosted Icelandic tourism and made the country the
'hippest' place in the world. This is a book of wide-ranging essays on
different aspects of Icelandic music, from the ancient traditional
chants of rímur to the large output of classical music by nationalist
composer Jón Leifs and others, to the plethora of Icelandic rock and pop
groups that have already made an impact on the world as well as more
idiosyncratic and genre-bending musicians now emerging from the
Reykjavik music scene.