Michael D. Fowler presents an interdisciplinary approach to
investigating the sound world of traditional Japanese gardens by drawing
from the diverse fields of semiotics, acoustic ecology, philosophy,
mathematical modelling, architecture, music, landscape theory and
acoustic analysis. Using projects--ranging from data-visualisations,
immersive sound installations, algorithmically generated meta-gardens
and proto-architectural form finding missions--as creative paradigms,
the book offers a new framework for artistic inquiry in which the sole
objective is the generation of new knowledge through the act of spatial
thinking.