Sound for Moving Pictures presents a new and original sound design
theory called the Four Sound Areas framework, offering a conceptual
template for constructing, deconstructing and communicating all types of
motion picture soundtracks; and a way for academics and practitioners to
better understand and utilize the deeper, emotive capabilities available
to all filmmakers through the thoughtful use of sound design.
The Four Sound Areas framework presents a novel approach to sound design
that enables the reader to more fully appreciate audience emotions and
audience engagement, and provides a flexible, practical model that will
allow professionals to more easily create and communicate soundtracks
with greater emotional significance and meaning.
Of obvious benefit to sound specialists, as well as motion picture
professionals such as film producers, directors and picture editors,
Sound for Moving Pictures also provides valuable insight for others
interested in the subject; such as those involved with teaching
soundtrack analysis, or those researching the wider topics of film
studies and screen writing.
Supplementary materials can be found on the companion website:
www.soundformovingpictures.com