Megawattage sound systems have blasted the electronically-enhanced
riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the
globe. This high-energy raggamuffin music is often dismissed by
old-school roots reggae fans as a raucous degeneration of classic
Jamaican popular music. In this provocative study of dancehall culture,
Cooper offers a sympathetic account of the philosophy of a wide range of
dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton,
Anthony B and Apache Indian. Cooper also demonstrates the ways in which
the language of dancehall culture, often devalued as mere 'noise, '
articulates a complex understanding of the border clashes which
characterize Jamaican society, and analyzes the sound clashes that erupt
in the movement of Jamaican dancehall culture across national borders