This book looks at the misappropriation of African American popular
culture through various genres. Hip-hop, the current most dominant
African American popular culture creation, serves as the underpinning
for the core areas of this book which delineates music, dance,
television and film, sports, technology, fashion, sexuality, and
religion. However, Soul Thieves is a historically inclusive
documentation of the misappropriation of black popular culture, thus
spanning other areas and genres besides the current craze. Perhaps the
most daring and unique charge here is that most African American
cultural creations have the inherent potential to be healing agents, and
while many whites acknowledge these potential curative inclinations,
they exploit the art for commercial purposes and to maintain and expand
white ruling class hegemony over the black and white masses. However,
Soul Thieves moves beyond victimization to analyze the roles that some
African Americans play in the exploitation of African American popular
culture.