Sonosyntactics introduces the reader to over forty-five years of Paul
Dutton's diverse and inventive poetry, ranging from lyrics, prose poems,
and visual work to performance texts and scores. Perhaps best known for
his acclaimed solo sound performances and his contributions to the
iconic sound poetry group The Four Horsemen, Dutton is a surprising,
witty, sensitive, and innovative explorer of language and of the human.
This volume gathers a representative selection of his most significant
and characteristic poetry together with a generous selection of
uncollected new work.
Sonosyntactics demonstrates Dutton's willingness to (re)invent and
stretch language and to listen for new possibilities while at the same
time engaging with his perennial concerns--love, sex, music, time,
thought, humour, the materiality of language, and poetry itself.
Gary Barwin's introduction outlines the major subjects and techniques of
Dutton's poetry: an intricate weaving of thought and language, sound and
emotion, sound and sense, and the unfolding of a text through the logic
of language play such as puns, paradoxes, ambiguity, and sound
relations. In an afterword by Dutton himself, the poet insightfully lays
out the terms of his engagement with the materiality--both visual and
aural--of language, often beyond the purely recountable,
representational, or depictive.