In Smithereens, Terence Young ranges widely among forms, subjects,
tones and moods, invoking the domestic world of family and home, as well
as the associated realms of work and play. He describes the simple
pleasure of losing one's bearings and seeing the world anew in "Tender
is the Night," and in "The Bear" he records the near-magical appearance
at a summer cabin of a creature that hasn't been seen in the area in
over fifty years. The ironic benefits of a house fire, the late-night
sounds of a downtown alley, the smells of a summer morning in the Gulf
islands--all of these serve as vehicles for reminiscence, meditation and
humour. Elsewhere in the collection, he summons an elegiac mood,
remembering in poems like "Surcease," "Fern Island Candle," "The Morning
Mike Dies," and "Gary" some of the friends who have left his world. More
than any of his previous books, though, Smithereens features poems
that are playful, in which language is often associative, surprising and
fun. It is a collection that will reward readers, whatever their
temperament upon picking it up, and it will also invite them to return
to its pages again and again.