In Sleeping Beauty, Lew Archer finds himself the confidant of a
wealthy, violent family with a load of trouble on their hands--including
an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure
ransom, and a stranger afloat, face down, off a private beach. Here is
Ross Macdonald's masterful tale of buried memories, the consequences of
arrogance, and the anguished relations between parents and their
children. Riveting, gritty, tautly written, Sleeping Beauty is crime
fiction at its best.
If any writer can be said to have inherited the mantle of Dashiell
Hammett and Raymond Chandler, it is Ross Macdonald. Between the late
1940s and his death in 1983, he gave the American crime novel a
psychological depth and moral complexity that his pre-decessors had only
hinted at. And in the character of Lew Archer, Macdonald redefined the
private eye as a roving conscience who walks the treacherous frontier
between criminal guilt and human sin.