Over the course of his seventy years, Mikhail Horowitz reports being an
English Romantic poet of the early 19th century, a Chinese hermit poet
of the Tang Dynasty, a neo-Beat jazz poet of the Third Millennium, a
proto-Surrealist and Oulipo poet of Paris between the wars, and a
postmodern poet and spoken word performer in an increasingly medieval
America. This volume offers a generous selection of his various avatars,
featuring poems and prose pieces that are bracing, ludic, and often
madly obsessive.