There are times in the theatre when you suddenly find yourself in the
grip of silence. There is no fidgeting or coughing, no shifting about in
seats: the audience's attention is so tense it is almost palpable. This
is because it is both thrilling and dangerous: a fight to the death, or
the dawning of salvation. David Hare's new play, Skylight, is
punctuated by such moments. They are the signs that a dramatist of the
first rank is writing at full stretch, in complete command of his
material, undogmatic and unafraid, unforgiving and compassionate.'
Sunday Times Skylight was revived in a new production at the
Wyndham's Theatre, London, in June 2014, which received the Evening
Standard Revival of the Year Award.