Skin Crafts discusses multiple artists from global contexts who employ
craft materials in works that address historical and contemporary
violence. These artists are deliberately embracing the fragility of
textiles and ceramics to evoke the vulnerability of human skin and - in
so doing - are demanding visceral responses from viewers. Drawing on a
range of theories including affect theory, material feminism, skin
studies, phenomenology and global art history, the book illuminates the
various ways in which artists are harnessing the affective power of
craft materials to address and cope with violence.
Artists from Mexico, Africa, China, the Netherlands and Indigenous
artists based in the unceded territory known as Canada are examined in
relation to one another to illuminate the connections and differences
across their bodies of work. Skin Crafts interrogates ongoing material
violence towards women and marginalized others, and demonstrates the
power of contemporary art to force viewers and scholars into facing
their ethical responsibilities as human beings.