As urban development in Asia has accelerated, cities in the region have
become central to skateboarding culture, livelihoods, and consumption.
Asia's urban landscapes are desired for their endless supply of 'spots'.
Spots are not built for skateboarding; they are accidents of urban
planning and commercial activity; glitches in the urban machine.
Skateboarders and filmers chase these spots to make skate video,
skateboarding's primary cultural artefact. Once captured, skate video
circulates rapidly through digital platforms to millions of viewers,
enrolling spots from Shenzhen to Ramallah into an alternative
cartography of Asia. This book explores this way of desiring and
consuming urban Asia, and the implications for relational and
comparative hierarchies of urban development.