At the core of the author's concern stands the question of cultural
transmutation in an era riddled with media channels and all-embracing
messages. Fragments of the Israeli experience are pieced together in
this provocative essay to provide a socio-anthropological agenda for
some of the issues involved in the manufacturing of items of symbolic
solidarity and common national imagery in an epoch of social
disunification and cultural pastiche. The author argues that even though
the aesthetic forms of major cultural idioms have unrecognizably altered
and are accommodated to befit the shape and style of post-modern living,
the basic programs underlying them have remained immutable. Furthermore,
it is the quality of adaptability to changing aesthetic conventions that
allow such symbolic corner-stones to be left unturned. The case of the
youth culture is chose here as a yardstick for examining the double
voice of such process - the global versus the tribal.