Jean Renoir (1894-1979) is widely regarded as one of the most
distinguished directors in the history of world cinema. In the 1930s he
directed a string of films which stretched the formal, intellectual,
political and aesthetic boundaries of the art form, including works such
as Le Crime de Monsieur Lange, La Grande Illusion, La Bête humaine
and La Règle du jeu. However, the great director's early work from the
1920s remains almost completely unknown, even to film specialists. If it
is discussed at all, it is often seen to be of interest only insofar as
it anticipates themes and techniques perfected in the later
masterpieces. Renoir's films of the 1920s were sometimes unfinished,
commercially unsuccessful, or unreleased at the time of their
production. This book argues that to regard them merely as
prefigurations of later achievements entails a failure to view them on
their own terms, as searching, unsettled experiments in the meaning and
potential of film art.