An illustrated exploration of Girlfriends (1965/66), one of Sigmar
Polke's important early paintings.
The artist Sigmar Polke (1941-2010) worked across a broad range of
media--including photography, painting, printmaking, sculpture, and
film--and in styles that varied from abstract expressionism to Pop. This
volume in Afterall's One Work series offers an illustrated exploration
of Freundinnen (Girlfriends 1965/66), one of Polke's important early
paintings. Taken from a found image of two young women, and using the
raster dots also found in mass media reproductions, Girlfriends offers
a statement about the use and social function of images.
Stefan Gronert approaches Girlfriends through its deliberate and
elusive ambiguity, providing technical detail and historical background
that allow some of the work's motivation and depth to become clearer.
Gronert analyzes Polke's relationship to his tutors and peers,
especially Gerhard Richter; describes the art historical context in
which Polke worked; and discusses some of the social and political
issues to which Girlfriends refers. Considering such topics as the
distinction between Polke and Alain Jacquet in their use of photographed
material, between Polke's use of the raster technique and that of Roy
Lichtenstein, and the feminist discourse of the time, Gronert draws on a
variety of critical interpretations of Polke's work, including some
material that has not yet been translated into English.