For three decades, state-sponsored short filmmaking educated Danish
citizens, promoted Denmark to the world, and shaped the careers of
renowned directors like Carl Th. Dreyer. The first book-length study in
English of a national corpus of state-sponsored informational film, this
book traces how Danish shorts on topics including social welfare,
industry, art and architecture were commissioned, funded, produced and
reviewed from the inter-war period to the 1960s. Examining the life
cycle of a representative selection of films, and discussing their
preservation and mediation in the digital age, this book presents a
detailed case study of how informational cinema is shaped by, and indeed
shapes, its cultural, political and technological contexts.