Sarah Elliott Novacich explores how medieval thinkers pondered the
ethics and pleasures of the archive. She traces three episodes of sacred
history - the loss of Eden, the loading of Noah's ark, and the Harrowing
of Hell - across works of poetry, performance records, and iconography
in order to demonstrate how medieval artists turned to sacred history to
think through aspects of cultural transmission. Performances of the loss
of Eden blur the relationship between original and record; stories of
Noah's ark foreground the difficulty of compiling inventories; and
engagements with the Harrowing of Hell suggest the impossibility of
separating the past from the present. Reading Middle English plays
alongside chronicles, poetry, and works of visual art, Shaping the
Archive in Late Medieval England considers how poetic form, staging
logistics, and the status of performance all contribute to our
understanding of the ways in which medieval thinkers imagined the
archive.