Shakespeare's Widows moves thirty-one characters appearing in twenty
plays to center stage. Through nuanced analyses, grounded in the widows'
material circumstances, Kehler uncovers the plays' negotiations between
the opposed poles of residual Catholic precept and Protestant
practice-between celibacy and remarriage. Reading from a feminist
materialist perspective, this book argues that Shakespeare's insights
into the political and economic pressures the widows face allow them to
elude mechanistic ideology. Kehler's book provides extensive historical
background into the various religious and cultural attitudes towards
widows in early modern England.