In his foreward to the volume, Clifford Davidson praises Guilfoyle's
application of the concept of scenic form in her study of Hamlet,
Othello, and King Lear, and her exposition of Shakespeare's historical
consciousness, noting her sensitive examination of the shape of the
playwright's scenes when placed against traditional visual
configurations and related textual resonances. Any student of
Shakespeare will benefit from the nuanced study of his imagery and how
it helps to color his characters and the action in his plays.