An NYRB Classics Original
Shakespeare, Nietzsche wrote, was Montaigne's best reader--a typically
brilliant Nietzschean insight, capturing the intimate relationship
between Montaigne's ever-changing record of the self and Shakespeare's
kaleidoscopic register of human character. And there is no doubt that
Shakespeare read Montaigne--though how extensively remains a matter of
debate--and that the translation he read him in was that of John Florio,
a fascinating polymath, man-about-town, and dazzlingly inventive writer
himself.
Florio's Montaigne is in fact one of the masterpieces of English prose,
with a stylistic range and felicity and passages of deep lingering music
that make it comparable to Sir Robert Burton's Anatomy of Melancholy
and the works of Sir Thomas Browne. This new edition of this seminal
work, edited by Stephen Greenblatt and Peter G. Platt, features an
adroitly modernized text, an essay in which Greenblatt discusses both
the resemblances and real tensions between Montaigne's and Shakespeare's
visions of the world, and Platt's introduction to the life and times of
the extraordinary Florio. Altogether, this book provides a remarkable
new experience of not just two but three great writers who ushered in
the modern world.