This book is about a mad king and a mad duke. With original and
iconoclastic readings, Richard van Oort pioneers the reading of
Shakespeare as an ethical thinker of the "originary scene," the scene in
which humans became conscious of themselves as symbol-using moral and
narrative beings. Taking King Lear and Measure for Measure as case
studies, van Oort shows how the minimal concept of an anthropological
scene of origin-the "originary hypothesis"-provides the basis for a new
understanding of every aspect of the plays, from the psychology of the
characters to the ethical and dialogical conflicts upon which the drama
is based. The result is a gripping commentary on the plays. Why does
Lear abdicate and go mad? Why does Edgar torture his father with
non-recognition? Why does Lucio accuse the Duke in Measure for Measure
of madness and lechery, and why does Isabella remain silent at the end?
In approaching these and other questions from the perspective of the
originary hypothesis, van Oort helps us to see the ethical predicament
of the plays, and, in the process, makes Shakespeare new again.