This engaging and stimulating book argues that Shakespeare's plays
significantly influenced movie genres in the twentieth century,
particularly in films concerning love in the classic Hollywood period.
Shakespeare's 'green world' has a close functional equivalent in
'tinseltown' and on 'the silver screen', as well as in hybrid genres in
Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an
enduring source for romantic tragedy on screen. The nature of generic
indebtedness has not gained recognition because it is elusive and not
always easy to recognise. The book traces generic links between
Shakespeare's comedies of love and screen genres such as romantic
comedy, 'screwball' comedy and musicals, as well as clarifying the use
of common conventions defining the genres, such as mistaken identity,
'errors', disguise and 'shrew-taming'. Speculative, challenging and
entertaining, the book will appeal to those interested in Shakespeare,
movies and the representation of love in
narratives.