This book explores ways in which Shakespeare's writing strategies shape
our embodied perception of objects - both real and imaginary - in four
of his plays. Taking the reader on a series of perceptual journeys, it
engages in an exciting dialogue between the disciplines of
phenomenology, cognitive studies, historicist research and modern acting
techniques, in order to probe our sentient and intuitive responses to
Shakespeare's language. What happens when we encounter objects on page
and stage; and how we can imagine that impact in performance? What
influences might have shaped the language that created them; and what do
they reveal about our response to what we see and hear? By placing
objects under the phenomenological lens, and scrutinising them as vital
conduits between lived experience and language, this book illuminates
Shakespeare's writing as a rich source for investigation into the way we
think, feel and communicate as embodied beings.