Cheek by Jowl, founded by Declan Donnellan and Nick Ormerod in 1981, is
one of the world's most critically acclaimed classical theatre
companies. Across seventeen productions of Shakespeare (as well as
several by his contemporaries and other European dramatists), Cheek by
Jowl's experiments with text, space, light and bodies have produced bold
reinventions of canonical and lesser-explored plays. Despite the
pre-eminence of the company, its multiple awards and central place in
the European repertory, this is the first substantive study of the
company's body of work.
This book situates Cheek by Jowl's work within the key institutions and
traditions that have shaped the company's development from low-budget
beginnings at the Edinburgh Festival to international celebration, while
also focusing specifically on the company's use of Shakespeare to drive
forward its practice. Drawing on the company's work in English, Russian
and French, the book uses key productions as case studies to interrogate
the company's unique style and build an argument for the distinctive
insights offered by Cheek by Jowl's approach.
The book draws on new interviews with creative and administrative
company members from the full span of Cheek by Jowl's history as well as
a full appraisal of the Cheek by Jowl archives, offering the first
scholarly overview of the company's work.