Paul Cantor provides a new and clearly structured introduction to
Shakespeare's most famous tragedy. Hamlet's status as tragic hero and
the central enigma of the delayed revenge are seen in the light of the
play's historical place in the Renaissance at the crossroads of the
Christian and the classical traditions. The dramatic and poetic
techniques used in the play are discussed, and a final chapter deals
with the uniquely varied reception of Hamlet on the stage and in
literature generally, from the seventeenth century to the present day.